The Last Supper: Insult and mockery to Christians at the Olympics Opening Ceremony.

What will our muslim neighbours do if they put Muhammad praying over to a roast pork on the same table of the last supper that was desecrated by drag queens at the Olympics Ceremony? Hypocracy at its best if their intention is about inclusion; drag queens and organisers are confused between inclusion and disrespect.

We expect our muslim brothers, LBTQs and other sectors of the Christian society to stand with Catholics to condemn this mockery in the name of peace, respect and inclusion. Drag queens cannot simply demand respect and inclusion thru mockery of a host nation’s Christianity.

The purpose of this article is not to create division but to encourage healthy debate on the issue. Take note, we put the roast pork at end of the table, away from Muhammad on the other end of the table. No mockery and insult but inclusion.

Non-catholics naturally don’t care about this issue as they would deviate from Catholic beliefs. No matter what, The Last Supper of Jesus and his disciples is where the idea of the painting was based upon. Non-catholics are disappointingly disowning this piece of art as something not related to The Last Supper of Jesus, a very common behaviour of feuding parties against Catholic beliefs, just like behaviours feuding families.

Wikipedia says:

The Last Supper (Italian: Il Cenacolo  tʃeˈnaːkoloor L’Ultima Cena ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy. The painting represents the scene of the Last Supper of Jesus with the Twelve Apostles, as it is told in the Gospel of John – specifically the moment after Jesus announces that one of his apostles will betray him. Its handling of space, mastery of perspective, treatment of motion and complex display of human emotion has made it one of the Western world’s most recognizable paintings and among Leonardo’s most celebrated works. Some commentators consider it pivotal in inaugurating the transition into what is now termed the High Renaissance.

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